Saturday, December 3, 2016

Falling For Clara On the Way Out

I didn’t get a ticket. I wasn’t on the will-call or overflow list.  But after work I’d taken the bus south from downtown and now stood in the lobby being patient but present, projecting as much non-threatening energy as a black man in Trump’s America could.

I’d been in love with some part of her, her brand maybe (but you don’t really fall in love with brands), her persona perhaps since the first encounter in 1997. That thing about her that comes through in printed or projected words was what it was.  These did it, her words like this:

But first a description: Clara Bowden was beautiful in all sense except, maybe, by virtue of being black. The classical. Clara Bowden was magnificently tall, black as ebony and crushed sable, with hair braided in a horseshoe that pointed up when she felt lucky, down when she didn’t.  At this moment it was up. It is hard to know whether that was significant.
  She needed no bra -- she was independent, even of gravity -- she wore a red halter that stopped below her bust, underneath which she wore her belly button (beautifully) and underneath that some very tight yellow jeans. At the end of it all were some strappy heels of light-brown suede, and she came striding down the stairs on them like some kind of vision, or, as it seemed to Archie when he turned to observe her, like a reared-up thoroughbred.
  Now as Archie understood it, in movies and the like it is common for someone to be so striking that when they walk down the stairs the crowd goes silent. In life he had never seen this. But happened with Clara Bowden. She walked down the stairs in slow motion, surrounded by after-glow and fuzzy lighting. And not only was she the most beautiful thing he had ever seen, she was also the most comforting woman he had ever met. Her beauty was not a sharp, cold commodity. She smelled musty, womanly, like a bundle of your favorite clothes. Though she was disorganized physically -- legs and arms speaking a slightly different dialect from her central nervous system -- even her gangly demeanor seemed to Archie exceptionally elegant. She wore her sexuality with an older woman’s ease, and not (as with most of the girls Archie had run with in the past) like an awkward purse, never knowing how to hold it, where to hang it, or when to just put it down.
  “Cheer up, bwoy,” she said in a lilting Caribbean accent that reminded Archie of That Jamaican Cricketer, “it might never happen.”
 “I think it already has.”

I have to admit that I wasn’t a completely patient soul. After all, this event was inside a black museum on the South Side of Chicago, almost sacred ground for the community, and I was a member of the co-op bookstore hosting the event not (like most of the crowd) a student or other transient North Side or South Loop type. Too, I’d done events here. Clients had done fundraising for these very walls and collections. But I didn’t flex. I just stood, until the young bearded bookstore employee, probably an English major like myself, signaled me into the overflow seating area with a furtive wave of his hand. In front of a large monitor, plastic folding chairs were rank and file and I got one of the last ones available on the last row. Good enough. Excellent really.

Suddenly three sets of applause row-your-boated around the room, from the actual auditorium on the other side of the lobby, from the monitor at a half-second delay, and from the trained seals like me, seated in the overflow area. We all sat up straighter for our treat flapping our hands like flippers. The same bookstore employee who waved me in is now on stage and introduces a Chinese American professor writer guy who I guess I should know, who introduces Zadie Smith.

She looks like Zadie Smith. She sounds like Zadie Smith. The stage lights are too bright. She squints and she looks a bit laggard. Or properly aloof for a mixed-race Jamaican Brit? In any case she perks up seems to take a simple joyful pleasure in reading words from her new novel Swing Time. She seems so naively happy to be reading her own words that they almost don’t seem like they are really hers. She reads like a novice character actor cast in a sitcom who knows they are approaching the big punch line and they really want to bust up an tell you how funny this all is going to be. You really do get the sense that the words, especially the adjectives and adverbs on the page belong to the narrator, a close friend of Zadie’s, so close she resides inside her head, but not to Zadie herself. I couldn’t help but smile and listen, rubbing the unvarnished yellow, black and red paper jacket of my own copy.

After all the banal questions that the professor guy came up with and those tossed up like dead fish from the audience and as more applause rowed, it seemed to me that everyone clearly thought that they were the only ones clever enough to have read a published review, tweeted by New Yorker or Rolling Stone. Each was the only one to have caught something insightful reveal like a deep sea pearl wrapped in a clever question. Or that they’d found that one weak spot in her persona’s tuna fish side that once poked, would make her she’d crumple from her chair and cringe there on the black deck of the stage like you’d just jabbed a pencil inside an old knife wound and she’d admit that you were right and that her genius and brilliance and clarity and career had all been a fraud and that your question had finally relieved her of the need to keep up these fretfully thin appearances for yet another decade, yet another novel.

As said, in a past part of my career I’d done my share of events, so encounters with celebrities usually haven’t discombobulated me. If the encounter had been part of a job, I could remain cordial and at my distance, focusing on my task list. I’d only really suffered one serious case of  L’Esprit de Escalier and that had been with Halle Berry who shares my birthday and Midwest roots.  Smug hindsight suggests that had my mind not gone blank as a rock when shaking the newly iced-out hand of the star of Introducing Miss Dorothy Dandridge, I could have saved her from at least one truly unfortunate marriage.  If not two.

Probably not.

But I was also an English major in college and I was so because I love books and words, old and new. And even if that was long ago, after everything I still loves words  and, this was Zadie Smith, yards away in an auditorium just across the lobby. Row row rowing applause.

This was the Zadie who through a digitus combining of all of it, a writer of stories and her projected self to be seen as a quiet but thoughtfully spoken woman of a certain age, had seemed to conjure into one thing all the objects of my affection and obsession, from Tanya who I’d visited nearly every day after school in the eighth grade to sit with and watch television, her with the big afro, yellow skin, narrow hips and big toothy smile through the four or six or five  loves of my college life, to the mother of my children through to my current lover, with even a bit of the comforting yet outward-facing presence of my own mother dashed in.

Surfing my way along the outer wave of people jostling their way from overflow joining the crowd already in the auditorium massing into a bloated line for autographs (this would take hours), I didn’t expect run right into her.  Apparently no one had given her directions for what to do after the author chat other than out in the lobby. So here she was, out in the carpeted gangway leading from the auditorium to out in the lobby looking quite lost, but no more anxious looking than someone at friend’s house party who on feeling that first twinge can’t for the moment remember, with all these people around and all the talking, where the god-damned bathroom is.  A description: She was beautiful. Burnt yellow skin. Tall and long and fingers for typing. Skinny jeans, but not so tight. Boots at the end. Some kind of sweater and her hair covered in a burgundy wrap -- like she’d borrowed it from Erykah Badu but toned it down and did less accessorizing. She minced back and forth like a pony looking for the open gate.

“Oh hello!” I said, surprised. The ice forming on the Lake Michigan of my mind.

“Hello.” Quite familiarly. “Do you know where I am supposed to go?”  

I think over there is what I think I said instead of out for a drink with me, or off to our secret garden of course, as everyone will understand. She had a crooked tooth. For two hours she signed and sincerely chatted up everyone in the line. I was near the end, having run into some old friends who helped the time in the glacial procession pass more pleasantly. When I got up to her again. She was surprisingly still pleasant for all the penning. We chatted about a small school in Iowa where she’d been a speaker and I’d been a young man, both instances separated three decades. She signed for my my daughter, wished her luck on her college search.





Saturday, September 24, 2016

Non-Alterity September 24, 2016

I am not your negro
I am not your other
I am not your shadow
I am not what you dream of
but never see in the flesh,
turn to catch and fail,
like catching the darkness
which your own presence creates.


I am an I am.


I faced the sun and freed myself
from that plantation of yours long ago.


I am not that presence that haunts your skin,
dark shadows hunting like a muscular amoral wolf.
That hungry feral hound that licks your neck when you sleep
but refuses your leash is not me.


I know that

I am of sun
I am of spider
I am of monkey
I am of crow and porcupine.


But you,

you have defined yourself
by fashioning the steel and dark iron
you hold right now in your hands -- for me!
But really, only you feel its weight, the guilt of your own intentions.

I am light and it can't hold me.

I am,
but not yours to kill.



Thursday, November 20, 2014

Duport Road

A Year Without Touching
or more
is a walking worm death.
I know what is mine now
in the most acute and alienating way.
Can I send love by brainwaves?
Can I fight without fighting?
This is my cup, my bowl,
my backpack, my blouse.

Wednesday, March 27, 2013

Top 10 Reasons Why Reactionaries Should Support Marriage Equality Now!

10. You'll look better than the French. 9. There will be more room for you in the closet. 8. You won't look so bad for not supporting the Voting Rights Act or ERA 7. At least we'll be able to claim a moral victory over the Taliban! 6. Think of all the minority babies you can kick off the dole because now someone will finally adopt them. 5. It's not really about getting married. Think of all the money lawyers can grub on gay divorce ! 4. You'll effectively stick the left with a big tax cut thanks to all the new joint filings! 3. You can go to church on Easter Sunday dressed in a pastel blazer and white sans-a-belt pants without irony! 2. You can dance along with Ellen without irony! 1. Because if we do it now, you can blame it on Obama!

Saturday, February 2, 2013

Letter To My [INSERT HERE]

So in January at least 42 people were murdered in Chicago, most by guns, one an honor-student and athlete, 15, back from the big inauguration, shot literally across the street from the house my ex-wife grew up in, one block from my kids' maternal grandpa's house. The mayor rants about more cops and fewer teachers. Now it's Black History Month and as folks say, I'm 'shook' and deeply so. Yesterday I was on the bus, coming back south on Lake Shore Drive, riding with a friend that had ended up at the same corporate diversity talk and dinner as I. As the bus swooshed along, our conversation veered to the topic of guns and violence against young people and children. Single and without kids, she didn't have the salve for inner fears that we parents can reach for when the murder of children hits close to home or far away, of hugging our own kids. As much for our kids, we know this act also is a comfort or dilusion for ourselves. Maybe I can't do much, but I can protect this one child right here. I reminded her though that she is a mentor. For, gosh, is it five years now? She's been a mentor to a girl whose dad was in prison and whose mom's hands were full. My friend's words, time and personal example have had a major impact on this girl's life, showing her that she's not a prisoner of her environment. Right now I am terrifed for my own children, one inching toward 21, one in high school (the next school South from King College Prep) and one finishing middle school. What can I give them besides hugs? This year, in this season of guns and murder and Black History, I decided to give them James Baldwin's "My Dungeon Shook: Letter to My Nephew On The Hundreth Anniversary of Emancipation." I linked to The Progressive because this letter/essay first appeared in print in that publication in 1962, if I am correct. I encourage you to read this for your own heart's sake, and read it to any young person who matters to you, especially the one who feels trapped, troubled or in trouble. Read it as Baldwin wrote it, then read it again, inserting the child's ethinicity, gender, sexual orientation, ability, document status, medical condition, crimminal record or financial circumstance. Ws all can do that.

Friday, January 11, 2013

It's All Your Fault Marcus Dupree!

I played small college ball. We taunted opponents with our SAT scores. I'm pretty sure in 1982 the Southwest High School Indians from Kansas City Missouri could have beaten the crap out of the Grinnell College Pioneers. This thought was definitely in the back of my mind that Saturday afternoon in mid-October when after another Division III loss, I found my way back to the lounge in my freshman dorm to watch the Kansas Jayhawks make a rare appearance on national television (this was before you had gazillion sports channels to show you everything down to a bird fighting a cat). A couple of guys I'd played against in high school had made it to the Big Eight and I guess I wanted to fantasize about what might have been. I switched on the set -- turned the knob -- and there he was, Big Charles, fullback out of Raytown South, on the sideline in rock-chawk blue. By fullback, I mean Earl Campbell, Skoal Brutha fullback. But what's this? Is he shaking his head? Is Big Charles actually on the sidelines crying? Before I could tell, the camera cut to: this. No, you really need to click on this. If you don't know who this is, watch ESPN's 30 for 30: Marcus Dupree, The Best That Never Was. Just the other night I watched it again and came away moved. Forget about what he never was after his freshman year, I want to know why we haven't honored him as, if not our generation's Jesse Owens, our black Jesus, at least as our Billy Budd. In the time before steamships, or then more frequently than now, a stroller along the docks of any considerable sea-port would occasionally have his attention arrested by a group of bronzed mariners, man-of- war’s men or merchant-sailors in holiday attire ashore on liberty. In certain instances they would flank, or, like a body-guard quite surround some superior figure of their own class, moving along with them like Aldebaran among the lesser lights of his constellation. That signal object was the “Handsome Sailor” of the less prosaic time alike of the military and merchant navies. With no perceptible trace of the vainglorious about him, rather with the off-hand unaffectedness of natural regality, he seemed to accept the spontaneous homage of his shipmates. A some-what remarkable instance recurs to me. In Liverpool, now half a century ago, I saw under the shadow of the great dingy street-wall of Prince’s Dock (an obstruction long since removed) a common sailor, so intensely black that he must needs have been a native African of the unadulterate blood of Ham. A symmetric figure much above the average height. The two ends of a gay silk handkerchief thrown loose about the neck danced upon the displayed ebony of his chest; in his ears were big hoops of gold, and a Scotch Highland bonnet with a tartan band set off his shapely head (Read Some Herman Melville). As you probably know, Liverpool England was one of the major ports involved in the Trans-Atlantic slave trade and had a large black population. And, as W. Jeffrey Bolster points out in Black Jacks: African American Seamen in the Age of Sail, so many black men and boys were involved in working on whaling and merchant and naval ships that it was easy to overlook a slave named Frederick Douglass sneaking around pretending he was a sailor while waiting to make a mad dash to freedom. By the 1970s, even with American just fresh out of Jim Crow, it was easy to overlook black boys running free in segregated towns like Philadelphia Mississippi, the location of one of the most notorious triple murders in the Civil Rights Era (Dr. King argued that the barbaric expression he found there was as bad if not worse than Hitler's Nazi Germany). But like Billy Budd, you couldn't miss Marcus Dupree, even in a place with a history as bloody as Philadelphia's. According to ESPN's documentary, damn near every coach there was in college football made a pilgrimage to court him. No doubt, more coaches came in 1981 than Federal investigators ever did in 1964. In that recruiting class, the football class of '81, part of the first class of Southern kids to complete their educations from first grade to 12th in integrated schools, head and shoulders above everyone, Marcus Dupree literally sucked up all the oxygen. No wonder a guy like Big Charles ended up at Kansas instead of Texas or Nebraska. They didn't have time to come see him. No wonder an also-played like me ended up in Division III. It was all Marcus' Fault! What a shame he disappeared after that notorious concussion his sophomore year at OU. But to love and honor Marcus Dupree the way that I now love and wish to honor Marcus Dupree you do need to understand why he ran. Marcus humbly says he ran for his brother Reggie who had cerebral palsy and couldn't walk and for the pride of his family. I don't think it is a stretch to say he ran for all the sons and daughters of slaves still trapped like his family in Mississippi poverty; that he ran for all the working-class white, black, latin and native boys who worked it out together on the football field in Philadelphia while bootleg preachers still posed and klansmen still held public office trying to pretend that the past had passed. He ran like he had a cross on his back. And maybe the way he got treated at Oklahoma, made that cross just a little too heavy to bear. Unlike Jesus, Marcus didn't die young. You can track his ups, downs and ups all over the web. But what he did in 1982 did help redeem us all. You couldn't miss that handsome sailor, even if with a little touch of Fredrick Douglass in his crazy-assed jheri-curl, he may have just been pretending to be a football player.

Thursday, January 10, 2013

Why I Lost My Voice.

Try this experiment. Gather a group of the cutest, sweetest, silliest, most rambunctious toddlers and little kids you know, even add a couple of bad-asses, into a room, maybe a living room. Make them feel safe. Give them rules but let them play. Give them snacks. Give them dinner. Television to watch. Books to read. Now try to predict how many of your young subjects will ever forget the day someone from the lab drops a can of tear gas into the room then busts off a few rounds of ammo above their heads. If you click on a 2008 story from USA Today about the April 1968 riots in America following Dr. King's assassination, you find a photo of journalist Opal Blankenship, much more than an old lady in a red jacket if you look her story up, in front of Holy Name Church at 23rd and Benton in Kansas City Missouri. Her outstretched arm points up Benton toward 24th. If you followed the trajectory of her finger you'd cross an intersection, pass a gas station, then a stuccoed brick duplex, top over bottom, where we rented from the Barnes family. At the other end of the block was a pink and blue house set up high on the corner where my grandparents lived. The day Opal's recalling, April 9, 1968, there'd been something else at the 24th street end of the block too: mad dogs, riot police and the National Guard armed to the teeth. High school kids had flooded out of Lincoln, Manual and Central high schools, the designated Negro schools under Kansas City's segregated system, because the board had refused to close schools to honor Dr. King's funeral. According to a video report by the Kansas City Star and testimony by Episcopal Priest Rev. David K. Fly riot police had harassed and finally attacked them in front of city hall where they had gathered to hear speeches and meet with the Mayor. A radio personality had offered to host a dance party at the church to help the kids cool down, get attention and recover in a safe atmosphere. That's what I've learned from researching the web. Here's what I remember as a kid. A lot of big kids and teenagers were gathering over at the church, kind of milling around and talking. I didn't know if they were negroes or black people (I'll explain in a minute). Suddenly a white man in an unmarked white car came barreling down Benton Boulevard from the direction in which my Grandma and Grandaddy lived, roaring right past in front of our house. Maybe that's what Opal's describing to reporters in the picture. I don't know. Anyway, the car swirls around the intersection scattering kids everywhere and screeches to a halt. The white man jumps out and starts yelling "Nigger! Nigger! Nigger! Go Home!" He pulls a gun and starts firing shots in the air! Then a bunch of teenagers in the crowd started rocking the man's car and flipped it. The ferocious crunch of metal and glass must have been like a starter gun to the National Guard, because right then, all hell broke loose from down on 24th. Guns and rifles started shooting and tear gas started flying at every house, window, car, front porch, seemed like whatever they could see, all the way down the block. I was only nearing four but I will never forget my mother Jackie pushing me and my two big brothers, Kofi,7, and Nana,8, hard down on the floor just as a couple cans of tear gas came clamoring up on our porch followed by several rounds of bullets that broke our front window. Looking back, they shot at us like we were snipers. They didn't see a terrified mother without a gun, a man, or a man with a gun to protect her children. They simply saw niggers. The power went out and the fire came up. Now, I don't remember this, but I've since learned that police surrounded Holy Name where the DJ was hosting the dance party, blocked all the exists and started chucking tear gas cans through the basement windows. The title of this post is Why I Lost My Voice. You see, the Holy Week Riots that happened in America following the assassination of Dr. Martin Luther King Jr., took place just a few months after my brothers and I arrived in America with my mom after she left my dad back in Ghana. My mom was an adventurous spirit and always wanted to be out there in the world, but in her twenties and with three small boys to raise, she made the decision to move back to Kansas City where she'd grown up. Segregated and hostile as it was, she knew KC also provided the support of her parents and a strong, stable, connected black community. In fact, while she was getting up on her feet, if she weren't sending me to my Grandma's house to get watched, she'd drop me off at the Black Panther free breakfast program. She knew the Panthers because they were young people she and my aunt Jerry had gone to high school with. She knew she could trust them with her baby - me! When I got to the Panther place, I loved it, but I never talked to anybody. I just did a lot of listening. Back then, fresh off the Pan-Am flight, I didn't talk to anybody except my mother, my brothers Kofi and Nana and sometimes my Grandaddy. Of course I knew to answer my Grandma fast. But outside of that, I didn't talk to anybody, not the kids upstairs, not my Auntie Jerry, not my playmates and certainly not the Panthers. Everything seemed so new and terrifying, it rendered me mute, at least to outsiders. I did listen however. My brothers and I were completely disoriented coming to Kansas City from our home in Ghana. Back there my father did some kind of important work outside the home and wore suits (a professor), and my mom taught preschool. We had friends up and down the road, most with dark beautiful skin and big smiles. Some had white skin and light curly bouncy hair. The air outside always felt good. But when we moved to the United States, that blanket of continuity in which we were wrapped, was yanked the-hell away. Everything was new. The cold. The snow. The way the kids were loud. The way the grown ups were loud. I don't know if we had a TV back in Ghana but I know we didn't watch it like we watched it here. Here we watched it like food. And the news was all helicopters and funny-sounding names and loud adults. The news was new words too, one of which was this new word 'negro.' Negro is not a word we'd ever heard back in Ghana, and based on what we ate up from the loud news announcers, Kofi, Nana and I came to the conclusion that negro meant 'criminal.' Interestingly enough, I noted that in The Black Power Mix Tape Stokely Carmichael's mother implies she'd never heard the word negro either until she moved to New York from Trinidad. Kofi went to the local segregated grammar school. Nana went to Delano the school for crippled children as I remember people calling it. I went to my Grandma's who had said she was colored. The only other place I went was to the Panther breakfast place and they, my mother's friends, said they were black. In fact, they said that my friends and I were black, and proud to go with that. So logically we concluded that these negroes had to be somebody else. And as a proud black man ('I am not a boy. I am a man.' saying that got you an extra milk from the Panthers), heck, as a good American, I sensed that you had to keep one good eye out for those negroes. Who knew what they might do. So the day of the riot, while stuff was still brewing over by the church and despite my mother's warning, Kofi, Nana and I crawled on the floor over to the front window to see what we could learn about this crazy place. Who was Dr. King? Maybe this happened in America all the time. Maybe there were negroes out there. In the few minutes we had to observe, I saw a bunch of people, including some black kids I recognized from the neighborhood, including this boy we used to call banana shoes, because he seemed to only have one pair of big raggitty dress shoes to wear sunshine or snow, church time or playtime, no matter how much we teased him. I saw a few grown ups we recognized too, colored people like my grandparents, talking quietly in little groups. But I couldn't spot definitively, for sure, for certain, a single solitary negro. But we did see this crazy white man come roaring down the street to start some unholy mess. Post Script: Watching Kerry Washington in Tanya Hamilton's Night Catches Us on Netflix the other night brought this memory roaring back out of the silence just in time for Black History Month 2013 and Dr.King's Birthday.